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GrandMA3 in control for “The Voice Thailand”

GrandMA3 was the lighting control system of choice for “The Voice Thailand 2024”, produced by Exit 365 and co-produced by Lighting & Equipment and showing on the Channel One 31 television network and Netflix Thailand. This globally popular singing competition is characterised by multiple rounds and performances - with high production standards throughout.

Responsible for creating this season’s array of looks was lighting designer Ryan Attig, an experienced expert in lighting for broadcast, live music and opera. For this show he was working closely with Arunroj Thomma and Nipon Jakkitrungrueng, his colleagues from lighting design company Lightist.

“The Voice requires the design of a great many lighting scenes to support the sheer number of shows and performances involved, but it all has to be done within the limitations of the venue size and the available programming time”, says Attig. “Fortunately, GrandMA3 saves us a lot of time.” It’s a platform that Attig knows well. “We always use MA systems”, he says. “OnPC to full-size, GrandMA2 to GrandMA3 - depending on the nature of the job and the supplier.”

For this show, lighting and video equipment was supplied by Lighting & Equipment Public Company Limited, with support for the GrandMA3 system from MA Lighting’s representative in Thailand, local distribution specialist Total Solution Marketing (TSM). Established in 1998, TSM has enjoyed a successful partnership with MA Lighting since 2016.

Looking after the lighting team for TSM was Chantiga “Cat” Chotkajornthai. She says, “Originally, the lighting team asked for the GrandMA3 control system to run in Mode2, which they were familiar with. But we offered them GrandMA3 training, and they very quickly saw more possibilities with the software, so they decided to convert to GrandMA3.”

To ensure a smooth transition, Chotkajornthai provided on-site support for Attig and the lighting crew for the initial programming and for the Blind Audition round which begins the series.

(Photos: Aofotwo Photography/L&E Beyond)

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